Bibliographie

General books and monographs (selection)

Lichaamstaal limited, Amsterdam (Netherlands), De Balie, 1990 (Rietveld Uitgave).
CARRAYOU Stéphane, Entre-fictions, Paris (France), Actes Sud, 1998.
CARELS Edwin, PAUW Josse de, WIARDA Andrea, A-Prior 8, Fiona Tan, Brussels (Belgium), Kurt Vanbelleghem-Aprior, 2002.
DERCON Chris, Fiona Tan, The choice of the experts, 11 museum directors choose a young artist, The Hague (Netherlands), International Press Centre Nieuwspoort,1998.
GROSENICK Uta, RIEMSCHNEIDER Burkhard [dir.], Art Now, Cologne (Germany), Taschen, 2002.
KITTELMANN Udo [ed.], Cream—Contemporary Art in Culture, London (United Kingdom), Phaidon, 1998.
VAN DEN BERG Mariska et GÖTZ Gabriele Franziska, Fiona Tan, Scenario, Amsterdam (Netherlands), Vandenberg & Wallroth ; Rotterdam (Netherlands), NAI Publishers, 2000.


Exhibitions catalogues (selection)

8th International Istanbul Biennial, Istanbul (Turkei), 2003.
Artes Mundi, Cardiff (United Kingdom), National Museum and Gallery, 2004.
Carwreck Cinema, Hamburg (Germany), Aussendienst Hamburg, 2000.
Cine Casi Cine, Madrid (Spain), Museo nacional Centro de arte Reina Sofía, 2002.
Cradle, Amsterdam (Netherlands), Galerie Paul Andriesse, 1999.
Documenta 11, Cassel (Germany), Museum Fredericianum, 2002.
Elsewhere is a Negative Mirror, Utrecht (Netherlands), De Begane Grond, 1999.
Fiona Tan, Visby (Sweden), Baltic Art Center, 2005.
Fiona Tan, Correction, Chicago, Ill. (United States), Museum of Contemporary Art ; New York (United States), New Museum of Contemporary Art, Los Angeles, Calif. (United States), Hammer Museum, 2004.
Fiona Tan, Stockholm (Sweden), Iaspis Galleriet, 2004.
Fiona Tan, Tokyo (Japan), Wako Works of Art, 2004.
Fiona Tan, London (United Kingdom), Frith Street Gallery, 2003.
Fiona Tan, Film and Video Works, Tokyo (Japon), Wako Works of Art, 2001.
Fiona Tan, Scenario, Hambourg (Germany), Kunstverein, 2000.
Home and Away, Crossing Cultures on the Pacific Rim, Vancouver, B.C. (Canada), 2003.
Inside Out, Amsterdam (Netherlands), Netherlands Media Art Institute, Montevideo-Time Based Arts, 1995.
J.C. Van Lanschot Prijs, Stedelijk Museum voor Actuele Kunst, Gand (Belgique)
Lift, Amsterdam (Netherlands), Galerie Paul Andriesse, 2000.
Link, Amsterdam (Netherlands), Stedelijk Museum, 2003.
Linneaus’ Flower Clock, Sittard (Netherlands), Museum Het Domein, 1999.
Notes, Asnières-sur-Oise (France), Fondation Royaumont, Atelier cosmopolite, 1995.
Ocean 1212-W, Milan (Italy), Galleria Raffaela Cortese, 2005.
Open Sudio, Amsterdam (Netherlands), Rijksakademie van Beeldende Kunst, 1997.
Prix de Rome '96, Rome (Italy), 1996.
Rijksakademie Show, London (United Kingdom), Victoria Miro Gallery, 2003.
Roll I & II, Tilburg (Netherlands), De Pont Foundation for Contemporary Art, 1999.
Screen Tests, Rotterdam (Netherlands), International Film Festival Rotterdam, Netherlands Fotomuseum, 2005.
Shine, Wish Dreams and Visions of the Future in Contemporary Visual Art, Rotterdam (Netherlands), Museum Boijmans Van Beuningen, 2003.
Strangers, the First ICP Triennial of Photography and Video, New York (United States), International Center of Photography, 2003.
Synopsis III, Testimonies, Between Fiction and Reality, Athens (Greece), National Museum of Contemporary Art, 2003.
Tele-journeys, Cambridge, Mass. (United States), MIT List Visuals Atrts Center, 2002.
Thin skin, the fickle nature of bubbles, spheres and inflatable structures, Axa Gallery, New York (United States) ; Scottsdale Museum of Contemporary Art, States) ; Chicago Cultural Center, Chicago, Ill. (United States) ; Edwin A. Ulrich Museum of Art, Wichita, Kan. (United States) ; Boise Art Museum, Boise, Idaho (United States)
Time Zones, Recent Film and Video, London (United Kingdom), Tate Modern, 2004.
Warum ! Berlin (Germany), Martin Gropius Bau, 2003.
Witness, Sydney (Australia), Museum of Contemporary Art, 2004.
BABARCZY Eszter, Fiona Tan, Budapest (Hungary), Pépinières européennes pour jeunes artistes, 1993.
BOS Saskia, « Framing is a choise », C. Van Lanschot Prize for Sculpture in Belgium-The Netherlands exhibition, Ghent (Belgium), Stedelijk Museum voor Aktuelle Kunst, 1997.
H.H. « Fiona Tan », Biennale de l’image, Paris (France), 1998, P. 62, 106.
HOEK Els, TAN Fiona, BISMARCK Beatrice von, Fiona Tan, Akte 1, Nice (France), Villa Arson, 2002.
JONAS Joan et FARVER Jane, Tele-journeys, Cambridge, Mass. (United States), MIT List Visual Center, 2002.
KÖNNEKE Achim, SCHMIDT-WULFFEN Stephan [dir.], Aussendienst, Kunstprojekte in öffentlichen Räumen Hamburgs Mai 2000-Mai 2002, Freiburg (Germany), Modo Verl., 2002.
HANRU Hou, OBRIST Hans Ulrich [dir.], Cities on the Move , Vienna (Austria), Wiener Secession, 1997.
N.R., « Fiona Tan », Cassel (Germany), Documenta 11, 2002, p. 218.
ROLLING Stella [dir.], <Hers>, Video als weibliches Terrain = <Hers>, Video as a Female Terrain, Vienna (Austria) ; New York (United States), Springer, 2000.


Writings by the artist

Ein Gespräch zwischen Fiona Tan und Annie Fletcher, Berlin (Germany), 2. Berlin Biennale, 2001.
Fragments towards a self-portrait of a city, I & II, Hong Kong (Republic of China) ; Amsterdam (Netherlands), RABK, 1997.
Fiona Tan, Akte 1, Nice (France), Villa Arson, 2002.


Articles and essays (selection)

BAUME Nicholas, « Fiona Tan, Towards the Negative Mirrror », Fiona Tan, Matrix 144, Hartford, Conn. (United States), Wadsworth Atheneum Museum of Art, 2001.
BREERETTE Geneviève, « Le journal intime de Fiona Tan, vidéaste », Le Monde, April 15-16, 2001, p. 18.
CARRAYOU Stéphane, « Fiona Tan, des images qui respirent », Art press, n. 280, p. 40-44.
COOKE Lynne, Fiona Tan, Scenario, Paris (France), Galerie Michel Rein, 2001, p. 20-34.
DIDIER Michel, « Capturing Time », De Groene Amsterdammer, September 16, 1998.
ERNO Aude, « Du temps au temps », L’Humanité, May 12, 2001.
GIONI Massimiliano, « Speaking in Tongues, views from a distance », Flash Art, November-December 2001.
GODFREY Mark, “Fiona Tan’s, ‘Countenance’”, Fiona Tan, Countenance, Oxford (United Kingdom), Modern Art Oxford, 2005, p. 60-80.
LEMKE Christine, « Fiona Tan, ‘Scenario’ im Rahmen der Reihe », Springerin, vol. 6, n. 2, 2000.
LUTTICKEN Sven, « Fiona Tan », Artforum, December 2000.
SCHMIDT-WULFFEN Stephan, « With my own eyes … », Fiona Tan, Scenario, Hamburg (Germany), Kunstverein, 2000.
SMALLENBURG Sandra, « Fiona Tan caches memories on video », NRC Handelsblad, September 16, 1998.
STEEVENSZ Bert, « There’s no such thing as the absolute », MetropolisM, n. 1, 1999.
SŸTŠ Wilma, « My Tongue is not my best friend », De Volkstrant, April 16, 1999.