Bibliographie

General books (selection)

EHRLICH Ken, LABELLE Brandon, Surface Tension, Problematics of Site, Los Angeles, Calif. (United States), Errand Bodies Press, 2003. STORR Robert, NAUMAN Bruce, Art, 21, Art in the Twenty-First Century, New York (United States), H.N. Abrams, 2001.


Exhibition catalogues (selection)

'60 '80, Attitudes, Concepts, Images, Amsterdam (Netherlands), Stedelijk Museum, 1982.
4e Semaine internationale de vidéo, Geneva (Switzerland), Centre pour l'image contemporaine, Saint-Gervais, 1989.
Anti-Illusion, Procedures, Materials, New York (United States), Whitney Museum of American Art, 1969.
Art for the Nation, Collecting for a New Century, Waghington, D.C. (United States), National Gallery of Art, 2000.
Avant-Garde in the Eighties, Los Angeles (United States), Los Angeles County Museum of Art, 1987.
Biennale of Sydney, Sydney (Australia), 2000 p. 90-­91.
Bruce Nauman, Selected Works, New York (United States), Zwiner & Wirth, 2001.
Bruce Nauman, Skulpturen und Installationen, 1985-1990, Basel (Switzerland), Museum für Gegenwartskunst, 1990 ; Bruce Nauman, Sculptures et Installations, 1985-1991, Lausanne (Switzerland), Musée cantonal des beaux-arts, 1991.
Bruce Nauman, Prints, 1970-89, A Catalogue Raisonné, New York (United States), Castelli Graphics et Lorence-Monk Gallery, 1989.
Bruce Nauman, London (United Kingdom), Whitechapel Art Gallery, 1987.
Bruce Nauman, Drawings 1965-1986, Basel (Switzerland), Museum für Gegenwartskunst, 1986.
Bruce Nauman, Paris (France), Musée d'art moderne de la Ville de Paris, 1986.
Bruce Nauman, Neons, Baltimore, Md. (United States), Baltimore Museum of Art, 1982.
Bruce Nauman, New York (United States), Whitney Museum of American Art , 1973.
Bruce Nauman, Work from 1965 to 1972, Los Angeles (United States), Los Angeles County Museum of Art, 1972.
Bruce Nauman, New York (United States), Leo Castelli Gallery, 1968.
Chronos & Kairos, Die Zeit in der Zeitgenôssischen Kunst, Cassel (Germany), Museum Fridericianum, 1999.
DISLOCATIONS, New York (United States), Museum of Modern Art, 1991.
documenta 7, Cassel (Germany), Museum Friedericianum, 1982 (vol. 1, 2).
documenta 9, Cassel (Germany), Museum Friedericianum, 1992 (vol. 1, 3).
Exorcism-Aesthetic, Terrorism, Rotterdam (Netherlands), Boijmans Van Beuningen, 2000.
Green on Greene, New York (United States), Sperone Westwater, 2001.
L'Art au corps, le corps exposé de Man Ray à nos jours, Marseille (France), Musées de Marseille ; Paris (France), Réunion des musées nationaux, 1996.
L'Art conceptuel, une perspective, Paris (France), Musée d'art moderne de la Ville de Paris, 1989.
L'Epoque, la mode, la morale, la passion. Aspects de l'art d'aujourd'hui, 1977-1987, Paris (France), Musée national d'art moderne, Centre Georges Pompidou, 1987.
Loop, Alles auf Anfang, Munich (Germany), Kunsthalle der Hypo-Kulturstiftung, 2001, p. 28.
Minimal + Conceptual Art aus der Sammlung Panza, Basel (Switzerland), Museum für Gegenwartskunst, 1980.
Nauman, Kruger, Jaar, Zurich (Switzerland), Daros, 2001.
Prospect 71, Projection, Dusseldorf (Germany), Städtische Kunsthalle, 1971.
The New Sculpture 1965-75, Between Geometry and Gesture, New York (United States), Whitney Museum of American Art, 1990.
The Sense of Self, From Self-Portrait to Autobiography, New York (United States), Independent Curators Incorporated, 1978.
The Whitechapel Art Gallery Centenary Review, London (United Kingdom), Whitechapel Art Gallery, 2001, p. 119.
Video as Attitude, Santa Fe, N.M. (United States), Museum of Fine Arts,on (United Kingdom), Tate Modern, 2004.
AUPING Michael, House of Sculpture, Forth Worth, Tex. (United States), Modern Art Museum of Forth Worth, 1999.
BANAI Nuit, JUDD Donald, KLEIN Yves, OITICICA Hélio, ALISON Jane, MADDEN Kathleen, PARDO Alona, Colour after Klein, re-thinking colour in modern and contemporary art, London (United Kingdom), Black Dog ; London (United Kingdom), Barbican Gallery, 2005.
BUTLER Cornelia H., LEE Pamela M., Afterimage, Drawing through Process, Los Angeles, Calif. (United States), Museum of Contemporary Art ; Cambridge, Mass. (United States), MIT Press, 1999.
CRIQUI Jean-Pierre, Le Temps, vite, Paris (France), Musée national d'art moderne, Centre Georges Pompidou ; Editions du Centre Pompidou, 2000.
CROSS Susan, Bruce Nauman, Theaters of Experience, Berlin (Germany), Deutsche Guggenheim ; New York (United States), Guggenheim Museum Publ., 2003.
DAY Holliday T., Crossroads of American Sculpture, Indianapolis, Ind. (United States), Indianapolis Museum of Art.
DRUCKER Johanan, DEZEUZE Anna, GRUNENBERG Christoph, COOKE Lynne, SILLARS Laurence, Bruce Nauman, Make me think me, Liverpool (United Kingdom), Tate Liverpool, 2006.
FAIRBROTHER Trevor, WRIGHT Bagley, The Virginia and Bagley Wright Collection, Seattle, Wash. (United States), Seattle Art Museum ; University of Washington Press, 1999.
GLASMEIER Michael, HOFFMANN Christine, FOLIR Sabine, HARTEL Gaby, MATT Gerald, Samuel Beckett, Bruce Nauman, Vienna (Austria), Kunsthalle, 2000.
ILES Chrissie [dir.], Into the Light, The Projected Image in American Art 1964-1977 , Whitney Museum of American Art, New York (United States), 2001.
KRAYNAK Janet, VOLK Gregory, KETNER II Joseph D., Elusive signs, Bruce Nauman works with light, Milwaukee, Wis. (United States), Milwaukee Art Museum Cambridge, Mass (United States) ; London (United Kingdom), MIT Press, 2006.
LEWALLEN Constance, RILEY Robert R., WAGNER Anne M., A rose has no teeth, Bruce Nauman in the 1960s, Berkeley, Calif. (United States), University of California Press, 2007.
RINDER Lawrence, Spaced Out, Late 1990's Works from the Vicki and Kent Logan Collection, San Francisco, Calif. (United States), California College of Arts and Crafts Institute, 1999.
ROSENBLUM Robert, Art at Work, Forty Years of the Chase Manhattan Collection, Houston, Tex. (United States), Museum of Contemporary Art ; Contemporary Arts Museum, 1999.
SPADONI Claudio, JONES Alan, DAOLIO Roberto, PIVANO Fernanda, Arte americana, ultimo decennio, Ravenna (Italy), Museo d'arte della Città di Ravenna ; Milan (Italy), Edizioni G. Mazzotta, 2000.
VAN ASSCHE Christine [dir.], New Media Collection, 1965-2005, Centre Pompidou, Taipei (Taiwan), Taipei Fine Arts Museum, 2006.
VAN ASSCHE Christine [dir.], Temps de vídeo, 1965-2005, Barcelona (Spain), Fundació La Caixa, 2006.
VAN ASSCHE Christine, Bruce Nauman, Image-Texte, 1966-1996, Paris (France), Musée national d’art moderne ; Editions du Centre Pompidou, 1997.
VAN CAUTEREN Philippe, WITTOCK Eva, MINO Yutaka, We humans are free, from the collection of S.M.A.K., Kanazawa (Japan), 21st Century Museum of Contemporary Art, 2006.
VAN TUYL Gijs, FUCHS Rudi, BROEKER Holger, Contemporánea, Madrid (Spain), Fundación Juan March, 2005.


Writings by the artist (selection)

KRAYNAK Janet [dir.], NAUMAN Bruce, Please Pay Attention Please, Bruce Nauman's Words, Writings and Interviews, Cambridge, Mass. (United States), MIT Press, 2003.
NAUMAN Bruce, AUPING Michael, "A Thousand Words, Bruce Nauman Talks About ‘Mapping the Studio’", Artforum, March 2002, p. 120-121.
NAUMAN Bruce, "Body Works", Interfunktionen, n. 6, September 1971.
NAUMAN Bruce, "Instruction fo, 1974.
NAUMAN Bruce, "Violent Incident, 1986", Parkett, n. 10, September 1986.


Articles and essays (selection)

“Bruce Nauman”, Das Kunstmagazin, n. 11, November 1999, p. 36-37.
“L'experience des limites”, Beaux Arts Magazine, September 1999, p. 156.
"Millennial visions", New York Times, September 12, 1999.
"The World's Top 200 Collectors," ARTnews, Summer 2000.
ADAMS Tim, "High neon", The Observer, July 12, 1998.
BELLET Harry, “Bruce Nauman, jeux de mots et de videos”, Le Monde, August 11, 2006, p. 22.
BENEZRA Neal, "Bruce Nauman, Raw material", Art Press, n. 184, 1993.
BIRNBAUM Daniel, “Bruce Nauman”, Artforum, décembre 1999, p. 114-115.
BREERETTE Geneviève, “A la Tate Modern, Bruce Nauman installe son mur du son”, Le Monde, November 4, 2004.
COLLINGS Matthew, SLYCE John, "Video Art, A Top Twenty," Modem Painters, Summer 2000, p. 30-33.
DANTO Arthur C., "Bruce Nauman", The Nation, May 8, 1995.
DE ANGELUS Michelle D., "Bruce Nauman interviews, 1980 May 27-May 30", Washington, D.C. (United States), Archives of American Art, Smithsonian Institution, 1980.
DERCON Chris, "Keep taking it apart, A conversation with Bruce Nauman", Parkett, n. 10, September 1986.
DOUGLAS Sarah, "Mapping the Studio I Fat Chance John Cage, Dia Center," Art Newspaper, January 2002.
ESTEP Jan, "Chicago: On Disappearing", New Art Examiner, September-October 2001, p. 30-31.
GRIFFM Tim, "Cut to the chase", Time Out, January 24-31, 2002, p. 47.
KIMMELMAN Michael, "A Temple of Modem Art and Spectacle", New York Times, May 10, 2000, p. E1, E 12.
KOLBERT Elizabeth, "Sfght Headache Dept.”, New Yorker, vol. 75, n. 15, 1999 p. 28-29.
KUSPIT Donald, "Regressive Irony, Duchamp's Legacy", Tema celeste, March-April 2001, p. 42-47.
KUSPIT Donald, "Signifying Malice," artnet.com, March 2001.
KUTNER Janet, "On sculpture's cutting edge", Dallas Morning News, 23 mai, 1999, section C, p. 1C, 8C.
LEVIN Kim, "Voice Choices, Bruce Nauman", Village Voice, February 5, 2002, p. 70.
NESBITT Lois E., "Lie down, roll over, Bruce Nauman's body-conscious art reawakens New York", Artscribe International, n. 82, Summer 1990.
PINCUS-WITTEN Robert, "Bruce Nauman, Another kind of reasoning", Artforum, n. 6, February 1972.
PLUCHART François, "L'art corporel", Artitudes International, n. 18-20, January-March 1975.
POINSOT Jean-Marc, "Bruce Nauman, la problématique du non-sens", Art Press, n. 10, March-April 1974.
POLITI Giancarlo, "The Venice Biennale," Flash Art, vol. 32, n. 208, October 1999 p. 76-­80.
POLLACK Barbara, "The Artnews Annual Peer Reviews," Artnews, vol. 98 n. 1, January 1999, p. 94-100.
PRATT McQUISTON Julie, "Indélicate Balance, Holly Day through the Crossroads," New Art Examiner, May-June 2001, p. 76-81.
PROSE Francine, "The Funny Side of the Abyss", Artnews, December 1999 p. 143.
RIDING Alan, "Time, and tune Again, as Science and as Art", New York Times, June 10, 1995, p. 11.
RILEY Bridget, "Bruce Nauman: Squaring the Circle," Flash Art, n. 205, March-April 1999, p. 88-91.
RUSH Michael, "Before `Reality TV' There Was Reality Video", New York Times, January 21, 2001, p. 43, 45.
SALTZ Jerry, "Wild Kingdom", Village Voice, February 5, 2002, p. 57.
SAUNDERS Wade, "Not Lost, Not Found, Bill Bollinger", Art in America, vol. 88, n. 3, March 2000/i>, January 28, 2002, p. 94-95.
SCHJELDAHL Peter, "Minimalism Depot, Mass MoCA makes a theme park out of edginess", New Yorker, vol. 75, n. 21, August 2, 1999, p. 81-82.
SCHJELDAHL Peter, "All That Jazz, The Whitney Celebrates the Triumph of Postwar American Art", New Yorker, October 18-25, 1999 p. 244, 246, 249.
SHARP Willoughby, "Bruce Nauman", Avalanche, n. 2, Winter 1971.
SILVA Arturo, "Samuel Beckett-Bruce Nauman", ARTnews, Summer 2000, p. 220.
SIMON Joan, "Breaking the silence, An interview with Bruce Nauman", Art in America, n. 9, September 1988.
SMITH Roberta, "Art, Bruce Nauman retrospective", New York Times, October 30, 1987.
SNODGRASS Susan, "Bruce Nauman at Donald Young", Art in America, vol. 87, n. 9, September 1999, p. 132-133.
STORR Robert, "No Stage, No Actors, But It's Theater and Art", New York Times , November 28, 1999 section 2, p. 1-48.
STORR Robert, "Bruce Nauman, le fou-pas-si-saint", Art Press, n. 89, February 1985.
STORR Robert, "Nowhere man", Parkett, n. 10, September 1986.
TUCKER Marcia, "PheNAUMANology", Artforum, n. 4, December 1970.
SUSSMAN Elisabeth, "Report from Oporto; Sorting Out the '60s", Art in America, vol. 88, n. 3, March 2000, p. 58-59, 61, 63.
SZEEMANN Harald, " Amo Suprattuto Artaud", Tema celeste, n. 77, January 9-February 13, 2000. P. 38, 86-87.
WEI Lilly, "Bruce Nauman at Dia", Art in America, June 2002, p. 120.
YABLONSKY Linda, "Green on Greene", Time Out, November 22-29, 2001, p. 58.